Territorial Poetics (I: awareness) consists of a text-based / mixed media installation of neon text, stones and soil. The poetic phrase ‘in the name of atonement, we re- inscribe every day’ made of neon light is placed into a rectangular shape of soil and stones, forming a spatial extension of meaning. The work forms a territorial narrative using light and earth materials, open to multiple interpretations. The selected sentence, taken from the artist’s poetry collection Tundra (2017), is deterritorialised from its initial space (book) and is re-territorialised into physical space (building) as an in-situ luminous seed – proposing a ‘geo- philosophy’; a metaphorical terrain both as human and social body upon which our efforts are constantly re-inscribed towards a potential future self. Current neon installation situates the poetic thought into the spatial, revealing an in-situ dialogue between the human, the political and the poetic. The work was awarded by Thessaloniki Concert Hall (Μέγαρο Μουσικής Θεσσαλονίκης).

Neon light, text-based installation, stones, soil

Dimensions: 6.10m x 17cm

Year: 2019

Concept - Creation: Bill Psarras

The work has been awarded by Thessaloniki Concert Hall for the exhibition Enclosures-Pass-Throughs (September 2019)