14a BIENAL INTERNACIONAL DE ARTE DE CURITIBA 2019Ā - Fronteiras em Aberto
14th CURITIBA INTERNATIONAL ART BIENNIAL 2019 - Open Borders
MostraĀ "Ars Sonora"Ā Hermeto Pascoal - CENTRO CULTURAL TEATRO GUAĆRA
ExhibitionĀ "Ars Sonora" - Hermeto Pascoal -Ā GUAĆRA THEATER CULTURAL CENTER
_Curadoria / Curated byĀ Adolfo Montejo NavasĀ
_Artista / Artist Hermeto Pascoal
_EstagiĆ”rias de Expografia / Expography InternsĀ Ana Mirena Nick Neves;Ā Tayla Caetano Amaral
_ProduĆ§Ć£o / ProductionĀ Fabiana Caldart; Fernando Moletta; Jefherson Maiczak;Ā Juliana Romanus;Ā Talita Braga
_Fotografia / PhotographyĀ Claiton Biaggi;Ā VitĆ³ria Bramatti
/PT/Ā
Entre / Ou a mĆŗsica que chega das imagens oĀ sonho permanente de Hermeto Pascoal em sua obra visual, que imanta toda suaĀ produĆ§Ć£o artĆstica Ć© nĆ£o oferecer sĆ³ imagens, signos, desenhos, diversas experiĆŖnciasĀ imagĆ©ticas e performĆ”ticas, como fazerĀ chegar a sua cosmologia sonora, a sua mĆŗsicaĀ por outra via: atravĆ©s de todo tipo de objetos, coisas, utensĆlios comuns, louƧa, panos,Ā roupa, bolsas, tampas de vasos sanitĆ”rios, chapĆ©us, papĆ©is, peƧas grĆ”ficas de diversoĀ signo e um largo etcetera, que registram seu pensamento sonoro e experimental. ComoĀ uma aproximaĆ§Ć£o diferente ao cerne do real, fruto de uma vocaĆ§Ć£o sempre transversal.Ā Ao Ćmpar valor estĆ©tico que toda esta objetualidade e experimentaĆ§Ć£o oferece em siĀ mesmo, com sua declarada ampliaĆ§Ć£o artĆstica, se une a caligrafia-desenho emprestadaĀ Ć s partituras e se vincula a vocaĆ§Ć£o permanente deĀ vigĆlia sonora que nĆ£o deixa de terĀ toda esta parafernĆ”lia visual e imagĆ©tica, que o mĆŗsico e tambĆ©m artista por extensoĀ espraia como mensagens expandidos, cifrados, em curso, em Ć³rbita.Ā Felizmente, para esta ingente tarefa de traduĆ§Ć£o musical, muitas vezes nada fĆ”cil,Ā devido Ć s peculiaridades compositivas sui generis de Hermeto Pascoal e ao grau deĀ dificuldade sĆgnica que representa a escrita em objetos e lugares insuspeitados (jĆ” deĀ difĆcil inscriĆ§Ć£o e entendimento e, em consequĆŖncia, de leitura, transcriĆ§Ć£o), por sorte,Ā se conta com um mĆŗsico singular e familiarizado afetiva e espiritualmente com oĀ universo de Hermeto: JoĆ£o Pedro Teixeira, mestre de instrumentos afins (acordeĆ£o,Ā sanfona, escaleta).Ā
Adolfo Montejo Navas, CuradorĀ
/EN/
Among / Or the music that comes from images Hermeto Pascoalās permanent dream in his visual work, that magnetizes all his artisticĀ production, is to not offer only images, signs, drawings, diverse image and performanceĀ experiences, but also make his audio cosmology, his music, arrive through another way:Ā through all kinds of objects, things, ordinary utensils, dishes, cloths, clothes, bags, toiletĀ lids, hats, papers, graphic pieces of diverse sign and a large etcetera, that can registerĀ his sound and experimental thoughts. As a different approach to the core of the real, fruitĀ from an always transversal vocation. To the single aesthetic value that all thisĀ objectualityĀ and experimenting offer in themselves, alongside his declared artistic amplifying, joinsĀ the calligraphy-drawing lent to the music scores and linked tothe permanent vocation ofĀ audioĀ vigil that doesnāt stop having all this visual and imageĀ paraphernalia, that theĀ musician and also the artist spread further as expended, in music score, in course, inĀ orbit messages.Ā Happily, for this enormous task of musical translation, often not easy, due to theĀ compositional peculiaritiesĀ sui generisĀ of Hermeto Pascoal and to the level of difficult ofĀ the meaning that represents the writing in objects and unsuspected places (already ofĀ difficult inscription and understanding and, in consequence, of reading, transcription),Ā luckily, can count on an unique musician and familiar affectively and spiritually withĀ Hermetoās universe: JoĆ£o Pedro Teixeira, master of related instruments (accordion,Ā melodica).
Adolfo Montejo Navas,Ā CuratorĀ
