The difficullty of this stage was that the dance was initially seen as improsivation. I didn't know how many seconds the action would last. I had an understanding of what would happen in the scene, what would threaten the main character. But by working with the choreographer, I was able to realize the dance
The second way is to fix the fabric as a “curtain” and wind to blow on the tunnel. At first it seemed that the idea was working, but has its disadvantages. If the fabric is lowered, I will lose control of the tissue and it will fly the wrong way. And the visual will look wrong.
But it can touch other objects. As a result, depending on the scene I combined these two methods and the result you see in the cinematic.
To implement the movie camera i used the application. I feel like an operator of the virtual world. The problems is that you can't keep up with the heroine's movement. It takes a lot of trying to get the angle you need
