After selecting and sketching a wide variety of objects, the composition is mapped out and the framework is created using charcoal.  The canvas is first prepped, then the finished drawing is spray fixed to set the material.
The next step is the background.  For this painting, I wanted to be sure to keep the paint quality fresh and light, to give the look and feel of water.  Once the background is painted in, the objects really begin to materialize.
Two little fishing lures still in the drawing phase, but with the light, watery background painted in.  To achieve this affect, I allow gravity to do the majority of the work as paint is dropped, sprayed, and thrown.
At nearly 3' x 5', this piece is certainly a substantial size, but the many little objects within the box required a meticulous attention to detail.  In many cases, the project required creative alternatives to the tools I typically work with.  In this shot, I'm using a Q-tip; a technique I picked up while working on The Silver Sardines.
Hook, line, and sinker.  This detail exhibits the wonderful contrast created by choosing to keep the background in a loose, painterly state, while developing and refining the objects within each box.
These two lures resemble tiny cousins of The Chinese Dragon; a recent painting whose colorful scales and rich palette are echoed once again here in minute, yet surprisingly familair detail.
While drawing is a very important part of the initial phase of my process, the finishing touches often involve more work with lead and charcoal.  This technique sharpens details and helps to define the edges of objects.
Here I'm working on my favorite new process, which involves using lead over charcoal.  The lead is carefully worked into the charcoal until a burnished, embossed effect is achieved.  The end result is highly reflective.
This photo was taken at an angle to show how light dances off the surface of the lead and metallic materials. 
This closeup exhibits the intensity of the gold paint, and the reflective nature of the embossed lead.
I decided to allow the initial notes and sketch work to show through in select areas.  If you look closely, you can read the words 'Carolina Rig' in the upper center section of this detail. 
Zippos, scissors, and parker pens.  I customized one set of lures to resemble the parker pen; an object I have consistently tucked into paintings from time to time over the years.
The many, many sardines I've painted in recent months have had a very big, successful influence on this painting.
Another angled photograph picks up the Zippo's silver and the reflections from the green lure's swivels.
I call these guys the gummy worms.  They are the perfect pairing of whimsey and sophisticated crafstmanship. 
The Tackle Box in it's completed state.  I've included two shots in slightly different light.
The Tackle Box
Published:

The Tackle Box

The Tackle Box 36" x 54", oil on canvas. This piece is a fabulous conglomeration of a variety of projects and commissions I have created over the Read More

Published:

Creative Fields