Frame Content
“I must leaf through many books on many shelves of my library; I must take notes in order to compare later all the data I have collected.”
ECO, Umberto





The information becomes willing 
and available 
in a single focus point;

A literal and visual crossing 
of several readers-writers
which comments connect themselves.

“Not like an ob-ject but a pro-ject
when virtualizing its fulfillment.”

Babo 1999:416
“Readers began to see the necessity to create meta-textual structures for purposes of analysis.”




“The author is never more than the instance of writing.”
BARTHES, Roland

Like in a conversation, the text flows along the page, with no pauses for flipping chapters.
The dichotomy of the printed and digital process is presented in this project — although the coding is comprehensible according to the medium that is being used, both are made of frames.

In this context, these frames are made up voices, encrypted in lines and explicit in text.

These vary in its importance: the main line is the reasoning, the path. The adjacent lines are the main voices such as Michel Foucault, Johanna Drucker, Roland Barthes and Umberto Eco. The remaining are marginalia; third voices with small, but relevant, input in the text.
There are many similarities between a conversation and a melody, and as such, there is the component of rhythm and compass.

The statement early mentioned was decomposed and used to establish the rhythm in this work.

The blue lines are the compass that every conversation or melody have. As in a book, they represent pages as result of the whole progress.
Every interaction has its own moments of low or great significance.
In the end, since the reader becomes the writer, there is no order or restrictions, and so, it doesn't matter who's talking.

The page is a well known territory where everyone is allowed to exist. There are no margins to escape.
“Reading a book should not be a passive exercice, but rather a raucous conversation.”
TERKEL, Studs

Frame Content
Published:

Frame Content

“Reading a book should not be a passive exercice, but rather a raucous conversation.” —TERKEL, Studs // A book that scrolls in a single page

Published: