Each hanging wireframe box has two sides, one representing the ultra-orthodox spiritual world and the other secularism and materialism.
The project consisted on a personal essay that was broken into paragraphs and hanged on the walls surrounding it.
A pattern of ultra-orthodox walking man symbolizes the simplicity and density of the the city of Bnei-Brak, where this project initially came to mind.
The pattern as it seen thru a silhouette of the modern-casual me.
A pattern of Rugalach (a traditional, usually-cheap, jewish pastry) seen through a silhouette of the sushi eating me.
Esquire cover with an over-sexualized female figure stands in contradiction to the other side where a pattern of a modestly-dressed women pushing strollers can be seen.
