Graduation Thesis - University of Fine Arts and Design (Graphics)
In a society where the emphasis is on disorder, chaos and lack of respect, as an element of structure and paradoxical ordering world and life, this
"Geometry of knowledge" falls within a paradigm of art beyond art, of art constituted as the interpretation of each viewer, that becomes artist by circumstance, able to impart a meaning, a meaning that perhaps the artist himself did not think of, paving thus the way to multiple interpretations, originality and an unlimited horizon of expectation .
This work of art has proposed a review of the main trends ( conceptual art, constructivism, art paper ) with complementary forms of drawing, generally located at the confluence of geometry and poetry, of spirit and fantasy, between mind and heart.
Although the shape given allows the pieces to unite as a game of the puzzle, I chose to expose them fractured so that the unity is produced in the mind of the beholder. In the viewer's soul a desire is born to lead this process of knowledge to perfection by uniting the three sections carefully stacked vertically. By separating parts, the paper aims to highlight human helplessness in reaching the absolute. Pleasure arises from eternal aspiration and thus knowledge can never reach absolute form, so man remains in a permanent creative state in a “blagian” sense .
The title, " The geometry of knowledge" refers to the rhetorical dimension of human perception, perspective and movement in the joint study of mathematics and poetic fantasy. Every angle and every geometrical figure creates a dialogue between the parties and individuality as a geometric whole.
Composed by nine pieces, each with distinct graphic signs, it tends to create a dance work of imagination based on rigorous forms and spaces to the rhythms of shadows and illusions created by repetitive triangular shapes. Invoice is a dynamic sculptural work, which urges the viewer on a journey in time and space, where imagination and the spiritual thirst for knowledge are essential.
It is a three-dimensional work, abstract, composed of modular paper pasted on board with pine frame around sections of three pieces. The technique used in making triangles training is origami by folding paper, packaging and overlapping of various shapes resulting from bending. To use lines and symbols, mixed technique we used in ink, liner, graphic pencil and charcoal. The paper is 195/180 cm and approximately 210/180 cm in a dispensed reach.
This work aims to be a representation of the universe’s own image, in the primordial state when the Creator of all things has drawn each line of the divine project accompanying it with feelings of love for humanity.
Therefore, geometry and poetry, as higher forms of knowledge are areas of manifestation free and creative, which gave me a way to reconsider the structure of the universe, after patterns that appeal both to reason (that ordering principle) and fantasy (the creative principle).
