1. In the beginning scene, Col. Landa shows that he his playing mind games with Perrie. During the scene, he’s calm and collective showing how it makes it uncomfortable for the viewer. Not only that, but, he knows that the people he kept underneath the floorboards are Jews. This shows that a lot of suspence shows in this scene.
2. In the same scene, there’s a felling that Col. Landa is in power over the conversation. Perrie knows he’s the one being overthrown with Col. Landa. There’s tension over the scene where Col. Landa might kill him. The conversation leaves the audience on their toes and full of suspense over the conversation.
3. The information given off within the characters leaves off information later on. Col. Landa knows about everything going on in the house. When he tells Perrie about the Jews hiding under the floorboards, there’s a felling of terror within the words of Col. Landa. Perrie knows he can’t lie to Col. Landa because he might be sent to a Nazi concertation camp for his crimes. All he wants is to end the conversation and leave with his family in a happy ending, but it doesn’t end well
Screenpaly Production
Me: Ther're good people
Intro to Cutting
1. Cut: an edit when it goes from one clip to another.
2. Dissolve: an gradually transition that goes from one clip to another. This says that it comunicates with the audience saying that the time has passed between two scenes.
3. Smash cut: a cut where it changes the scene for emotionally, narrative or aesthetic purpose.
4. Jump cut: a cut where two sequential shots are taken of the subjest in different camera angles.
5. Iris: a cut where a black circle closes to end a scene
6. Wipe: a cut where a scene gets replaced by another scene in a particullar shape.
7. Whip pan cut: a cut where the camera pans so quickly that the image blurs within the shot.
8. Cutting on action: a cut where it cuts from one shot to another shot that idenically matches the first shot in the movie.
9. Match cut: a cut where one shot matches the other shot idenically
10. Verbal transition:
11. Cut away
12. Cross cut
13. L cut
14. J cut
15. Invisible cut
16. Fade in: A cut where the scene fades to black.
17. Fade out: A cut where the scence fades from black.
Cutting (EXERCISE)
00;00;02;28
00;00;05;19
00;00;07;10
00;00;16;20
00;00;20;29
00;00;22;13
00;00;41;27
00;00;45;21
00;00;41;27
00;00;45;21
