The installation is a two-channel video piece juxtaposing archival home videos. Familiarity is juxtaposed with an eerie repetition - of gazes, actions, sentiments and scenes. All the while a dialogue occurs between two screens, their content now transcending time and space, as well as notions of individuality and what a home video suspended from its sentimental connotations becomes and transforms into.
Research:
Reactivation of physical motor information in the memory of action events
Kouhei Masumotoa,⁎, Masahiko Yamaguchib, Kouichi Sutanib, Satoru Tsunetoa,
Ayako Fujitaa, Mitsuo Tonoikec
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An investigation of the cognitive and experiential features of intrusive memories in depression
Alishia D. Williams & Michelle L. Moulds
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Sense and remin¡SCENT:
Performance and the Essences of Memory
By Jim Drobnick
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How do children make sense of their experiences? Children’s memories of wellbeing and distress from an
attachment perspective
Serena Messina1,2 and Giulio Cesare Zavattini1
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Home, Margaret Morse
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Conceptual Materialism
Carlos Garrido Castellano
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Subversive Spaces
surrealism+contemporary art
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Physical Formation of Memory
The Role of Glia Cells
Charles Trevor Ross, Shirley Redpath
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Crawling and Walking Infants See the World Differently
Kari S. Kretch, John M. Franchak, and Karen E. Adolph
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EARLY INFANT CRAWLING EXPERIENCE IS REFLECTED IN LATER MOTOR SKILL DEVELOPMENT'
MARGARET H. McEWAN
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Season of birth, crawling onset, and motor development in 7-month-old infants
Osnat Atun-Einy, Dina Cohen, Moran Samuel & Anat Scher
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The Involvement of Our Identity in Experiential Memory
Author(s): Ingmar Persson
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Tatsuyuki Kawamura Æ Tomohiro Fukuhara
Hideaki Takeda Æ Yasuyuki Kono Æ Masatsugu Kidode
Ubiquitous Memories: a memory externalization system using physical objects
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Ethical Issues in the Search for Repressed Memories
HAROLD MERSKEY, D.M.*

The Present
Published:

The Present

Installation / video art

Published: